Obituaries

May. 6th, 2026 06:36 pm
shewhomust: (mamoulian)
[personal profile] shewhomust
Have I written before about the guilty pleasure of obituaries? I don't want to treat anyone's death as a good thing, but sometimes an obituary for someone I had never heard of makes me less sad that they have died, more glad to know that they lived in the first place.

Last Saturday's Guardian carried an obituary for sculptor Lloyd le Blanc (Why the delay between online and print, I don't know. It's just one of the Guardian's little foibles.). I admit, it was the giant bronze artichokes that caught my eye (another reason to dream of visiting Le Manoir aux Quat'Saisons), but I also admired Le Blanc's career path: with a fine arts degree from Yale, followed by a stint as a welder on North Sea oil rigs, what else would you do but set up a foundry?

More pictures on the Le Blanc Fine Art website.

My newspaper of choice lets me down when I try to quote the counter-example of Nicole Hollander: I am a long-time admirer (my 1991 diary was 'The Sylvia book of days') and I was sorry to hear of her death. But it's possible, I suppose, that someone may read this who has not already encountered Sylvia, in which case the information might be a source of happiness. Since the Guardian is silent on the topic, here's The Chicago Sun-Times. And - not an obituary, but a reference work - Lambiek Comiclopedia is generous with examples of her work.

Interpretation through story

May. 2nd, 2026 05:38 pm
shewhomust: (durham)
[personal profile] shewhomust
We spent the afternoon at a lecture jointly organised by the City of Durham Trust and the World Heritage Site. The speaker was Colleen Batey, currently World Heritage Site Honorary Professor: a new post, and one which sounds as if it will give her scope to do all sorts of interesting things.

The original plan was for the session to be divided between two speakers: but then Jane Lovell looked at the Bank Holiday rail timetable, and realised that it couldn't be done, so instead we had a single talk with a dual focus. Colleen Batey's revised title was Interpretation through storytelling: case studies from Orkney and St Kilda. I'm not convinced that these two cases cast much light on each other. The Orcadian example looked at the interpretation of the Earl's Bu at Orphir, as described in the Orkneyinga Saga, and camre to the conclusion that the Saga gave an accurate description, but that subsequent interpretation had settled on the wrong building as the drinking hall. At St Kilda, the question seems to be, who gets to tell the story? But if you'd announced a talk on "Some digs I have worked on in Orkney and St Kilda (with pictures) I'd still have been there...

Most tantalising prospect: the possibility of a projct to research the mason's marks of Durham Cathedral and compare them to those found in St. Magnus' (which I think must refer to this project, and see whether the same masons really did work on both...

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